Sludge convulses, shudders, and oozes forth from the industrial machine. Gnarled Horse Throat grind it out in full display, all over the floor. Backed with remixes by Finland's sonic dub experimentalist Luke Lund, and the original heavyweight beast Mick Harris (Scorn, formerly of Napalm Death). With three further versions by GHT themselves on top of their six original cuts, A Futile Stream of Commands is all heft, all murk, all Darkfloor Sound.

This split cassette single is a collaboration between Grey C.E.L.L., 8cylinder, and The Museum of Punk and is limited to 40 physical copies on gold tapes. All proceeds will go to Philadelphia's Bread and Roses Community Fund (breadrosesfund.org). Side A written by Janis, Kane, Jim, and Derik and recorded/mixed/zhuzhed by John Dyer Baizley. Side B reproduced/remixed by 8cylinder.

"Repatriation of Remains" was previously released as an extremely limited cassette in January 2014 to commemorate a rare homecoming performance by Brown Angel at Gooski's pub in Polish Hill, Pittsburgh. These unreleased tracks and demo recordings provide another insight into our band and process.

Looking back on this release, I'm most happy that we included the cover version of "Rust Belt Noose," written by our longtime friends Kim Phuc, and the "True Cross" remix by 8cylinder, another old friend and visionary working in the dub/breakcore idiom. It's the least blown-out and raw-sounding track of the program; but I'm glad to revisit that quality of the band, present in droves live and during the demo phase, but sometimes lost or downplayed in the studio.

The contents appear here on Bandcamp with four bonus tracks, which are demo recordings from the pre-production of the "Agonal Harvest" LP, a pair of which date to 2006.

Immigrant Breast Nest has been in operation for five years and to celebrate we'd like to present "The Entertainment", our 50th release. Through the course of the compilation's 20 tracks, you can hear the past, present, and future of our label. Familiars from I.B.N.'s early days crash against newcomers with startling new sounds to present. We're always pleased to hear musicians break, trouble, and complicate electronic forms and genres: all the tracks here do that work.

Immigrant Breast Nest sprung from two people jamming in a Queens, NY furniture factory and has since run a course of mutation which cannot be charted by rational means. No evolution but a kind of arcane septicity. Just as the artists we represent perform impossible vivisections and outlandish experiments within their music, so have we sliced open the idea of the net-label and tinkered with its innards. Immigrant Breast Nest always remains a possibility, a convergence, a nucleus forming out of unrepentant creativity. It's infectious work and the infection is "The Entertainment".

Released on December 3, 2014.